Bold claim: U2 is crafting a new era with a “defiantly joyful” album, returning to the drums with Larry Mullen Jr. behind the kit. But here’s where it gets controversial: will a brighter, carnival-like mood really offset the anxieties of today? Let’s break down what’s happening and why it matters.
U2 recently surprised fans by releasing a six-track EP, Days of Ash, which tackles heavy topics such as the Israeli situation, the war in Ukraine, and immigration policies enforced by ICE. Alongside this, the band provided an update on their long-anticipated LP that would follow 2017’s Songs of Innocence. Bono described the forthcoming material as markedly different in mood and theme from Days of Ash, emphasizing a shift toward celebration and resilience rather than lament.
In a conversation with the band’s official fanzine Propaganda, Bono noted that there are many more songs in development—roughly 25 worth considering for future U2 projects over the coming years. He characterized the album material as having “more songs of celebration than lamentation” and a “defiantly joyful” feel intended to counteract the current era’s anxiety, even suggesting a carnival-like energy could emerge when performed live.
Bono added that the band hopes to channel light amid darkness, aiming to find brightness together with their audiences. The idea is serious fun: acknowledging troubling news while not letting it drown out positive momentum and hope.
Larry Mullen Jr. rejoined the sessions after neck surgery, having previously paused during the Sphere residency in 2024, where Bram van den Berg filled in on drums. According to Bono, Mullen has been “rebuilt,” delivering innovative performances that spark excitement when the band plays together.
Mullen himself opened up about his return, admitting the injury period wasn’t easy and that he initially overrode warning signals. He’s adjusted his playing style and setup—sitting position, piece heights, and even approach—to prevent reinjury. While he emphasizes continuing improvement and rest improvement, he also highlights the renewed energy and motivation that come from reuniting with Edge, Adam Clayton, and Bono.
There isn’t a published timetable for the new album. Propaganda, however, indicates that production is progressing without long delays, and the project is reportedly not far behind the Days of Ash release.
In short, U2 appears to be balancing a more hopeful, celebratory direction with the band’s signature depth and urgency. The return of Mullen jives with a sense of renewed vitality in the studio, and the lineup’s chemistry seems stronger as they experiment with a lighter, more communal vibe amid turbulent times. Do you think this shift toward a carnival-like optimism can sustain the band’s edge, or will audiences crave the weightier themes that marked Days of Ash? Would you prefer the next U2 album to lean into rebellious joy, or maintain a critical, confrontational tone? Share your thoughts in the comments.
